In October 2006, Manara developed character designs for the animated television series City Hunters. Manara also created the artwork for all the singles released from this album. In 2003, Manara's work featured on the cover of Scottish rock band Biffy Clyro's second studio album The Vertigo of Bliss. "He has drawn some kind of a mythical history of my life, in cartoons, with some of my heroes such as Steve McQueen, Enzo Ferrari, Jim Morrison, and other characters such as my dog Guido, the chicken Osvaldo and a lot of beautiful women! I really like Milo.he's a person that I have admired for a long time." In connection with their joint project Quarantasei, in July 2006, Manara designed a helmet for Moto GP rider Valentino Rossi, specifically made for the Italian GP in Mugello. The Ape was serialised in Heavy Metal in the early 1980s and Manara received some exposure through collaborations with Neil Gaiman and other artists. In the following years of combining sequels, original work, and collaborations with noted creators, Manara's production continued in this direction to explore erotic comics themes with an artistic and storytelling expression in a manner considered unique to Manara.
Manara's reputation for producing comics that revolve around elegant, beautiful women caught up in unlikely and fantastical erotic scenarios became solidified with work such as Il Gioco (1983, also known as Click or Le Déclic), about a device which renders women helplessly aroused Il Profumo dell'invisibile (1986, Butterscotch), introducing the heroine Miele (Honey) and a sweet-smelling body-paint which makes the wearer invisible and Candid camera (1988, Hidden Camera), featuring the same protagonist in further explicit adventures. Įrotic illustration typical of Manara's style as it comes to expression in his Click series. In his own right Manara has been commended on his skills as a writer, as with the western L'uomo di carta (1982, The Paper Man). Manara also completed two stories working with another of his heroes, Federico Fellini. The character "HP" is based on Manara's friend, the Italian comics creator Hugo Pratt, and a collaborator on some of Manara's most acclaimed work, initially Tutto ricominciò con un'estate indiana (1983, Indian Summer) and later El Gaucho (1991). For (A SUIVRE) Manara created the first stories featuring HP and Giuseppe Bergman, which grew to become a large body of work. ĭuring this period Manara began publishing work in several Franco-Belgian comics magazines including Charlie Mensuel, Pilote and L'Écho des savanes. Manara and Pisú later went on to publish Lo Scimmiotto ( The Ape) along the story of the Chinese Monkey King in Alter Linus in 1976, and with Alfredo Castelli, L'Uomo delle Nevi ( The Snowman) in 1978.
With Pisú Manara launched the publications Telerompo and Strategia della Tensione in 1974 and the series Alessio, Il Borghese Rivoluzionario, and with writer Mino Milani the series La parola alla giuria in 1975. Joining the youth magazine Il Corriere dei Ragazzi, he worked with Rubino, Carlo Barbieri, Mino Milani and Silverio Pisú. In 1970, he illustrated for the magazine Terror, and starting in 1971 drew the erotic series Jolanda de Almaviva written by Francisco Rubino, issued in small format by publisher Erregi.
After architecture and painting studies, he made his comics debut in 1969 drawing for Genius, a Fumetti neri series of pocket books from publisher Furio Vanio in the wake of the popularity of Kriminal and Satanik.
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